The park, which is located in West Orange, New Jersey, includes Thomas Edison’s laboratory complex and his Glenmont mansion. I didn’t get to see the mansion, which frankly was less interesting to me (although I hear it features such novelties as a remotely-switched electrically-heated birdbath). Instead, I decided to focus my tour on the laboratories:
The remaining laboratory buildings are actually only a small part of what used to be a huge industrial factory and research center that spanned several blocks. Only a few of the original structures remain, the rest having been sold off and destroyed to make way for new development.
Before I forget: This is not where Edison invented the light bulb. Or the phonograph. This is where Edison refined his original phonograph into a commercially viable product, developed the kinetoscope and several other motion picture devices, and developed Nickel-iron-alkaline storage batteries that powered early electric vehicles, among may other things. Many of Edison’s early inventions were developed in his Menlo Park laboratory in what is now called Edison, NJ.
With that out of the way, back to the tour…
I last visited here over 20 years ago with my grandfather, and while my memories are fuzzy, I do not remember the facilities being in this condition. This is likely because the complex has seen significant restoration work in recent years. Just outside the chemistry lab, there is a small square on one wall that is still in unrestored condition:
In one corner, a cubic foot of copper, a gift from a group of mining and smelting companies, who were no doubt overjoyed by the success of Edison’s electric lighting system and other inventions.
Moving on, I next visited the storeroom, home to not only tools but also samples of hundreds if not thousands of natural materials. It is reported that this storeroom contains everything from a tortoise shell and elephant hide to “the eyeballs of a US senator”:
Another room upstairs housed a recording studio for what was likely the world’s first record company. It is amusing to think that records were being recorded right next to an active machine shop, but apparently the sensitivity of early recording devices was so low that they did not pick up background noise.
Back outside, here is the Black Maria, Edison’s famous motion picture recording studio. The first studio of its kind, the roof opens and the entire building can be rotated to capture the maximum amount of outside light, which was required by early movie cameras:
This concluded my tour. There are many more photos of the laboratory complex in this flickr set. And if you are ever in the area, I highly recommend paying a visit to this historic site.
After being hassled by Chris about my audio quality on The Amp Hour for the past year, I finally broke down and upgraded my podcasting microphone setup. Here are some photos of the new setup and some notes about my approach.
Here are most of the big (expensive) parts. Clockwise from the upper left:
- Audio Technica AT2020 Condenser Microphone ($60 on eBay, I got the XLR version, not the USB version that Chris uses)
- ART Tube MP Microphone Preamplifier ($55 on eBay)
- Samson SP01 Shockmount Spider Mount ($24 on Amazon)
- Swing Arm Magnifying Lamp ($28 from Harbor Freight Tools)
A few more miscellaneous bits:
- 20 foot XLR M-F cable ($5 on eBay)
- 10 foot 1/4″ to 1/8″ cable ($0, made with spare parts)
- Nady MPF-6 6″ Pop Filter ($15 on Amazon)
I got the idea to convert a swing-arm desk lamp (often called an Architect’s Lamp) into a mic boom from the awesome site IKEA Hackers. (Today I discovered that ham radio guys have been doing this for years.)
The closest IKEA is 40 minutes away, so instead I went to Harbor Freight Tools and bought the cheapest swing arm lamp I could find. I removed the lamp portion (after you remove the adjusting knob, the shoulder-bolt can be removed and the lamp pulls out). Then I cut the power cord and unthreaded it from the lamp.
The swivel mount on the Samson SP01 comes apart easily, exposing a handy flat mounting tab that could be used to bolt the spider mount to all sorts of things…
…including the desk lamp. I used a 1/4″ nylon spacer to fill the gap left by the narrow tab on the shock mount and some lock-washers to keep the mount from rotating when the adjustment is tightened. The original shoulder-bolt stripped (oops) so I replaced it with a beefier 10-32 bolt and corresponding nut.
While my initial tests with just the AT2020 mic were promising, I found that the swing-arm sagged under the extra weight of the shock mount. To solve this problem, I drilled two extra holes at 1″ intervals from the original spring perch on the swing-arm. This allows me to adjust the spring tension to balance the arm. Now the mic stays where I put it.
Here is the finished setup. I removed the heavy bracket and gooseneck from the pop filter and zip tied it to the front of the shock mount. The spacing between the pop filter and the mic comes out just about right.
Here’s the mic preamp. It’s got tubes! The microphone connects to the preamp through the XLR cable. The output of the preamp is connected to my PC’s line input through the junkbox 1/4″ to 1/8″ cable.
I’m really happy with the new setup, but you can judge it for yourself on this week’s episode of The Amp Hour (Xenomorphic Xerox Xebec).
Wilson is a frequent contributor to the blog (in the form of typos) and involved in most aspects of life here at MightyOhm.